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Heres one key film from each of the influential cycles peakyears. You might have to watch Stray Dog under cover of air conditioning: Its a hot film, not in the sense of carnality but in the sense of temperature. WebLouis and Auguste Lumire held one of the earliest public presentations of films projected on a screen. When Dr. Anthony Edwardes (Gregory Peck) takes over as director of the hospital where the remote and emotionally null Dr. Constance Petersen (Ingrid Bergman) works, Petersen quickly realizes something is amiss with Edwardes, and it quickly comes to light that he isnt Edwardes at all and that he is suffering amnesia. A.G. A.G. British and then Web1940s-1 The Greatest War Movies Title Screen Film Title/Year/Director, War-time Setting and Brief Description Screenshots Foreign Correspondent (1940) d. Alfred Hitchcock New York (the US), Britain (London) and Holland (Amsterdam) just before the outbreak of Dom Sinacola. Its savage and sexual, deeply unsettling in its nihilism and yet not utterly without hope; the final shot offers a respite of sorts from Tourneurs otherwise unblinking sobriety. WebSeven best French films by year (1930-1939) Refine See titles to watch instantly, titles you haven't rated, etc 70 titles 1. When are you making an honest-to-goodness piece of art, and when are you just playing a sick game of nostalgie de la boue? In one of his darkest roles, 50-year-old Cagney is at his unhinged best, a powder keg of neuroses and sadistic impulses who can feign insanityas he does in the prison infirmaryfor only so long before his delusions overtake him completely. competitor in the French market, so audiences chose between German films, place structures that both supported and regulated the industry. A free trial, then 4.99/month or 49/year. StarringPeter Lorreas the stranger of the title, its a short, cheap B-movie in which many of the hallmarks of the emerging style are brought together: an urban setting, slanted shadows, voice-over narration and the story of a wrong man falsely accused. 2. Bonnie Stiernberg, 40. In modern times, the types of films that most resemble the earliest films are The Black Maria by Thomas Edison Which of the following does NOT characterize the American film business in the 1910s and 1920s? A model of noir economy, it zips by in a sleek 71 minutes, making atmospheric use of train sound effects in place of a score and delivering a satisfying twist. Language links are at the top of the page across from the title. Learn more. Based on the Pulitzer Prize-winning novel by Robert Penn Warren, derived almost wholesale from the outsize life of Louisiana governor Huey Long, Robert Rossens All the Kings Men, despite its expansive scope, wastes no time in plunging its seemingly idealistic characters into the deep morass of moral gray. While there he befriends an undercover fed (Edmond OBrien, whose other noirs include The Hitch-Hiker) bent on nailing him for greater crimes. Bogarts antihero is a man of honor, as it suits himhe has no qualms about kissing his dead partners widow while the bodys still warm, or turning in the guilty woman he loves to the police. When movies such as Double Indemnity, Laura and Murder, My Sweet (all 1944) saw delayed release in Paris after the end of the Nobody knew what to call film noirs when they first started coming out of Hollywood in the early 1940s. See also:Force of Evil (Abraham Polonsky), Moonrise (Frank Borzage), Raw Deal (AnthonyMann). Once seen never forgotten, its a lurid, nihilistic treat, from its feverish opening on the road at night to its explosivefinale. A.G. A.G. 11. Bette Davis stars as Regina Giddens, a Southern aristocrat living in a world where only sons were considered legal heirsReginas been subverted by her greedy brothers and there are multiple conniving marriage plots around the consolidation of wealth. When George sees that his existence has had and continues to have a positive impact on the world, he goes home to his family, Clarence gets his wings and happiness ensues. Observe the recurring image of the bubbling muck that serves as one of the films central locations. This adaptation of a Broadway hit was a vehicle to get her career back on track after a series of flops. Leave it toOrson Wellesto create the last cast-iron masterpiece of the original film noir era. (Hawks, though a fan of Hemingways, felt that To Have and Have Not was his worst novel, and reportedly told him so.) At On Christmas Eve, suicidal George Bailey (the sublime Jimmy Stewart) receives a visit from a sort of junior angel who calls himself Clarence Odbody (Henry Travers). (That said, Chaplin later recounted that he could never have made the satirical film even a year or two later, as the extent of the horrors in German concentration camps became clearer.) There were a lot of great noirs in the 40s. But at times the framing makes Hayworths erotic physicality all the more charged, and dangerous. Rossellini contrasts Italian fear with Italian heroism, creating opportunities for the movies German characters to look inward and realize that force of arms isnt the same thing as force of courage. Disney, who wasnt much of a classical music buff, found his famously boundless curiosity piqued by the concept of using animation to support music rather than the other way around, and plunged into the project with enthusiasm, believing it would open peoples ears (like his own) to classical music they had previously ignored. Itself based on an Emile Zola novel, Renoirs film is a coal-caked tale of lust, adultery and murder set among railway workers. Web70 titles 1. Everyones in love with Gene Tierneyeven the guy whos come to investigate her murder. Can you believe there was a time when Katharine Hepburn was known in Hollywood as box office poison? This was the decade of Hepburn and Tracy, Bogart and Bacall, of nostalgia and neo-realism, star-crossed lovers and double-crossing villains. Timeless, big-hearted and disarmingly sincere, this film is one I defy you to have one cynical comment about. There are split loyalties. Creeping in stark contrast to Universals monster movies of the same era, it leans on suspense and carefully constructed shots rather than Jack Pierce makeup to make an impression. Three unlikely comrades pursue a cache of gold, and the resulting obsession turns them against each other with tragic results. Though films were banned if deemed too demoralizing, the film industry was This storys been with us since the 18th century and rendered in countless iterations, so Ill forego the plot summary and just say that from the fourth-wall-breaking preamble in which the director entreats the audience to approach the film with inner-child-forward faith in the magic of fairy tales, to the end, this film remains a treasure of subtle imagery and mesmerizing music, baroque opulence, sexual intensity and total indulgence in fantasy. A.G. WebRelease in France: 1940 4. Sporting a glorious Technicolor palette of vibrant hues, it feels every bit the prestige picture that it is, but on a more inherent level its one of the most purely charming and universally entertaining musicals of this era, regardless of the audience its playing to. Note the Western clothing. Popular genres included light comedies, thrillers, musicals, costume (William Randolph Hearst was not pleased, and tried to have the movie suppressed. See also:Double Indemnity (Billy Wilder), Laura (Otto Preminger), Phantom Lady (RobertSiodmak). , Clouzot, 1942), and We should, however, think not of Welles but of Carol Reed, The Third Mans bizarrely under-sung director, who fought for Welles casting as the shockingly amoral Harry Lime, ensured that the film would be shot on location in Vienna, and fused its aesthetic with expressionist flair, using light and shadows in ways that at the time had yet to be attempted (and which since have yet to be as stunningly replicated). A.G. More polished examples of noir exist than this poverty row production from the B-movie pumphouse Producers Releasing Corporation (PRC), but here in 68 minutes and shot in six days is a perfect distillation of the genres essence. Others, like Pierre Chenal It performed solidly at the box office, though not spectacularly. But that alone wouldnt be just cause in a bad movie. Today, with the rest of Dreyers oeuvre to reflect on (especially Ordet, which was his only commercial success, despite being just as ponderous and obtuse as Day of Wrath), this film is simpler to parse. When the pastors son (Preben Lerdorff Rye) from his first marriage returns home, Anna is smitten, and the two carry on a clandestine love affair amidst a time in which every action, however benign, can be dissected to reveal supernaturally nefarious doings. When you think of Italian neorealist cinema, your mind probably zips straight right on over to Vittorio De Sicas Bicycle Thieves, a beautifully made movie about the harsh realities of life in postwar Italy. Latvian-bornBoris Ingsteronly ever directed three films (he later became a TV producer on shows such as The Man from U.N.C.L.E. Huston also penned the screenplay, on Howard Hawks advice, almost verbatim from Hammetts hard-boiled novel. Charlie Chaplin, Orson Welles, Howard Hawks and Alfred Hitchcock were doing some of their best work. Laurence Harvey, Jack Hawkins. The French had the solution. But when the businessmannow Johnnys bossseems to meet an untimely end, the guilt-stricken employee is determined to cruelly punish both himself and Gilda for their deceit. Robert Mitchumis the garage-man whose past comes back to bite him,Jane Greerthe alluring temptress, and the labyrinthine plot moves between small-town California, Lake Tahoe and Acapulco, daring you to keepup. There were French and Italian adaptations of James M. Cains 1934 novel before Hollywood dared bait the censor with its own version of this scandalous story of adultery and murder. Casablanca (1942) PG | 102 min | Drama, Romance, War 8.5 Rate 100 Metascore A cynical expatriate American cafe owner struggles to decide whether or not Sullivans Travels doesnt exactly answer these questions as much as it wields them like blunt instruments for punishing its protagonist, John L. Sullivan (Joel McCrea), a hot ticket in Hollywood known for churning out money-making flicks with no substantive value. In an era where your Labradoodle probably has its own therapist its easy to forget that psychoanalysis was a relative rarity, reserved for people of significant means and people in mental hospitals, which is where this psychological thriller by Alfred Hitchcock takes place. The former associate does find him, but Kindlers a little reluctant to confess, opting to strangle his former friend, instead. The truest mark of the films brilliance is its accessibility: Even if you know zip about postwar history, youll be dazzled by Ozus unparalleled discipline as a filmmaker, charmed by Haras wonderful performance, and moved by the themes present in the fabric of the narrative, especially its painful depiction of what it means to let go of the ones we love most. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema. So, yeah, of course hes gotta get blown up, noir-comeuppance style. As is the case with many films of the 1940s, especially those foreign selections made or released in the shadow of World War II occupationby the Axis or otherwise (see also: Kurosawas navigation of American censors during the U.S.s squatting in Japan)Le Corbeau is a morally thorny tale, infatuated more with the indelible darkness of all human beings than in exploring any sense of hope that the world need not be a crappy place. The film has so much going for it beyond the musicsleek, stylish, twisted Otto Preminger direction, and great performances by Tierney, Dana Andrews as the detective, Vincent Price as Lauras waste-of-space fianc, and Clifton Webb as Waldo Lydecker, the journalist who claims to have been Lauras mentor. Tim Grierson. Before fleeing Hollywood for Britain during the McCarthy witch-hunt era,Joseph Loseymade a string of distinctive film noirs three in 1951 alone. You just put your lips together and blow. Ernest Hemingway and William Faulkner at the typewriter. 13. See also:The Asphalt Jungle (John Huston), Gun Crazy (Joseph H. Lewis), Sunset Blvd. See also:The Killing (Stanley Kubrick), While the City Sleeps (Fritz Lang), The Wrong Man (AlfredHitchcock). ), but the first of these is an acorn from which the great oak of film noir would grow. LikeDetour, and several other noirs besides, this 1946versionbegins with a drifter (John Garfield) in a diner. Considered by many to be a major turning point in Hitchcocks career, this film, still very much in the spy/noir realm, is his first serious attempt at a love story. Director Henri-Georges Clouzot treats as a given that the world is a crappy place, through and through, detailing how the denizens of a small French town (anywhere) are pitted against one another through a series of poison pen letters sent by the titular Raven. A.G. The minute Russells Lindy Johnson stalks into the newspaper office run by her ex-husband Walter Burns (Grant), you know its to tell him shes getting remarried and leaving journalism to raise a family, and you know thats not how its going to end. Wanted by the authorities, 1940s Children Of Paradise/Les Enfants Du Paradis (1945) Lyrical realism touched exalted pinnacles with Children of Paradise, commonly thought of as one of the supreme French films. The film almost demands to be seen twice for the sheer volume of slants and revelations. (19012000), Jacques Becker (19061960), Henri-Georges Youll see Premingers name on several of the best noirs, from Laura (1944) to Whirpool (1950), lending his coolly dispassionate gaze to stories of murder and delirium. Lumire d't While the origin of the films concept was fairly mundane (Disney wanted a star vehicle for Mickey Mouse, whose ratings were flagging). A list of films produced in France in 1944. See also:Baby Face Nelson (Don Siegel), The Garment Jungle (Vincent Sherman), Sweet Smell of Success (AlexanderMackendrick). Letterboxd Limited. To Have and Have Not is loosely adapted from Hemingways novel of the same name. Everyone, it seems, has something devastating to hide, not the least of whom is Dr. Germain (Pierre Fresnay), a man known for his lusty dalliances, which feels ironic given that he also conducts illegal abortions in the area. What sets Laura apart is the music. A traumatized boy named Matt Garth (Mickey Kuhn as a child; Montgomery Clift as an adult) who survived the attack on the wagons finds Dunson and Groot and joins them; Dunson basically adopts him (along with the cow hes got with him). Theres no better way to describe Jacques Tourneurs Out of the Past than perfect. For many, this is the epitome of all things noir, a sprawling, rambling examination of betrayal and seduction peppered with shrapnel-sharp dialogue. A list of films produced in France in 1950. Then it was nominated for five Academy Awards and has become known as one of the most acclaimed films ever made. Hellmans script is caustic and relentlessly grim, Wylers camera work is high-strung and spooky, and Davis plays the main character as an icy villain. Cinemas were a popular haven from the cold and His second, a period drama based on the Pulitzer Prize-winning 1918 novel The Magnificent Ambersons by Booth Tarkington, was destroyed (in Welles view) when he lost control of the editing to RKO. Like Double Indemnity, Michael Curtizs Mildred Pierce succeeds on the strength of its leading lady; in this case thats the immortal Joan Crawford, who plays the films central character, not to mention all of its heart and soul. French films, and a few Italian films. Like most of Hitchcocks work, what makes it truly spooky are its relatable themesin this case, living in someone elses shadow and worrying that a loved ones hiding something. By the time you read this letter, I might be dead. This haunting romance by Max Ophls is one of those star-crossed love stories that, if it doesnt tug at your heart, you might want to check to make sure you have one. The fourth and final film teaming of Humphrey Bogart and Lauren Bacall doesnt rank with their other onscreen pairingsthe real dance here is between Bogie, as a returning veteran, and Edward G. Robinson, as a gangster who has Bogies war buddys island resort in a stranglehold, just in time for a hurricane to make landfall. This is a list of films produced in the French cinema, ordered by year and decade of release on separate pages. Orson Welles just couldnt catch a break sometimes. According to Hemingways biography, The Killers marked one of the only times the author was legitimately impressed by an adaptation of his work. Not many films can say they introduced one standard, let alone multiple ones, a la The Trolley Song or Have Yourself a Merry Little Christmas, which was later ranked as the third most-performed Christmas song of all timeyou can thank Garland for the initial take on it, and she seems considerably more comfortable in her own skin here than in The Wizard of Oz. Dashiell Hammetts 1929 detective novel had already been adapted not once but twice since its publication, but screenwriter-turned-debut directorJohn Hustons 1941versionproved third time lucky. Broadly considered to be one of the greatest of the genre, Red River is the story of the first cattle drive down the Chisholm Trail and the film that made director Howard Hawks exclaim I didnt know the big son of a bitch could act! The big son of a bitch was John Wayne, who stars as Tom Dunson, a stubborn and conflicted man on a mission to start a cattle ranch in Texas. American films were not available. Inspired by Niezsches Ubermensch concept and the idea of the perfect murder, two college students kill a classmate simply to prove they can and then host a dinner party for their victims friends and family to see if theyll catch on. RKO cut the film from two hours, five minutes to one hour, twenty minutes and showed it in mono to trim costs. The 220 feature-length films that constitute the Vichy cinema are not The bookending set pieces, shot on location in industrial California, pulse with realism. The number of films that espoused To celebrate #Noirvember, we select one essential film from each of the peak years of classic American noir. Only one, a mime named Deburau (Jean-Louis Barrault), has pure intentions: Naturally, hes the one who gets hurt. Aside from Bogies legendary turn, the other performances are spot-on: among them, an already scandalized Mary Astor as the femme fatale; Sydney Greenstreet (Casablanca) as hulking baddie Kasper Fat Man Gutmanastonishingly, his film debut; and Peter Lorre as an obviously gay associate of Gutmans whose homosexuality was muted for the folks at the Hays Code. Angels of the Streets WebFrench feminine coming of age cinema, a list of films by elliegocher Letterboxd List by elliegocher Pro Grid List Updated 6 months ago Visibility Filters Sort by List Order Service Genre Decade French feminine coming of age cinema is using Letterboxd to share film reviews and lists with friends. Grmillon, and Carn in 1943 as a. This is a tale of grand passion both between men and women and between actors and audiences, and actors and the stages they inhabit. Directed by: TETSUO LUMIERE Written by: TETSUO LUMIERE Genres: Silent Film / Comedy Cast: ANA LIVINGSTON, TETSUO LUMIERE Producers: MARIANO TORRES, LISANDRO LEIVA, TETSUO LUMIERE Director of photography: MARIANO TORRES, LISANDRO LEIVA Assistant Director: FAVIO LOPEZ Assistant Producer: Wilson continues to prove Kindlers identity, and Kindler goes to greater and greater lengths to conceal it. WebFrench Cinema: A Critical Filmography (1940-1958) 1. Joan Fontaine plays a young woman in 1900 Vienna who falls in love with a concert pianist. A.G. this hiatus inaugurated one of the most prosperous, if not the most An hour of the original film was cut and the ending re-shot, and though Welles had left detailed instructions on how it should be edited, the studio overrode him and the excised footage from his rough cut was trashed. Weblouis and Auguste Lumire held one of the page across from the title central locations AnthonyMann ) noir. 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