banjo headstock identification

They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. I doubt you'll find this in a catalog. About Larrive Guitar Labels C-series Factory location: Hinsdale, New Hampshire from 1973 to 1979, D-series Factory location: West Sansei, New Hampshire from 1980 to 1981, The designation S refers to the body size: 2 & 3 (increasing with number value). FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). The first group in late 1936 had larger soundholes and long scales: 25 1/2. Instruction * ConcertsJams * More Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. The grade of top wood was tighter grained. Style Designations (There are many exceptions to the following). I'm kind of with Bob on the Korea origin - almost screams Sam Ickfrom the 1980s to me - except that it's a little understated and the finish isn't as thick as you normally see on a Samickpresentation banjo. The following are a rough guide. See Martin Serial Numbers for a dating information. Late 1974 gold covered recording pickups are replaced with humbuckers. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). When he passed, my grandmother bought it for me from his brother who was attempting to liquify his collection. Modern Gibson Logo open "b" and "o". Acoustic guitars are punched inside the soundhole on a sticker behind the strings. The model started production in 1938 as Gibsons top-of-the-line flat top guitar. Introduced August 1942 and J-45s are still available today. The original price in 1942 was $45. B&D models stopped around 1968 following Baldwins (Gretschs parent company) 1967 purchase of the ODE company. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. Also, the first batch of J-45s had more binding both on the body and soundhole. Bridges: Ebony Sometimes with a flattened pyramid rectangular bridge shape. 1930s-40s R S Williams and Sons built "Stewart" 1940s R S Williams and Sons built bird's eye maple archtop 1940s R S Williams and Sons built bird's eye maple archtop headstock 1940s R S Williams and Sons built bird's eye maple archtop back Gibson. The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock. On 12 fret to the body guitars, in a break with tradition, the Larson brothers frequently inlayed the 10th fret instead of the ninth. According to the Gibson catalog, natural finish was the only option in 1939 but we are told that at least 2 examples exist of a cherry sunburst from the same period. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. 15 Mahogany top, back & sides no binding, 17 Mahogany top, back & sides bound top. Like everything else connected to instrument identification issues - there are many exceptions. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. The new design was thinner and much easier to handle and play. Body shape changed to square shoulder dreadnought. This should be considered a guide to get you within a year of the correct date. Other similar details include: single-cutaway body, ebony fingerboard with block inlays, flowerpot headstock inlay, L-5 tailpiece with contrasting silver on gold with L-5 engraving (changed to TP-6 in 1978) and multilayer body binding throughout. The necks were 1-piece mahogany V shape with a Brazilian rosewood fretboard at 12 radius. There were 5226 made. Dark stained plain birch back and sides. Considering that Gibson was using a double X bracing for most of its other flat top guitars during that period, these instruments, with their modified fan bracing, stand out as some of the better sounding Gibsons of the time. Like all other companies, there are exceptions. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. Q: What is the first step in determining the age of my banjo? the teacher or distributor. If1970s, would be Japanese, more likely. in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles, The labels with an image of Orville Gibson are generally found on instruments with serial numbers below 10,000. Each model of the Mark Series was available in natural or sunburst finish. I chose a .090 binding that is layered, for a nice pin-striped look and Stewart MacDonald Guitar Shop Supply makes the perfect set of bits for routing headstock for binding called Piloted Binding Router Bits. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) The later pickguard clamps have a stamped patent date of July 4, 1911. First published as a folk music magazine in 1971 by Michael I. Holmes before going online in 1997, Mugwumps is a no-frills, highly informative site that's packed with well-written articles, detailed photographs, and historical ads of old instruments and parts. Made in USA. Mid to late 1944, the neck block revert back to mahogany, though poplar is occasionally used. Early 1970's block shaped no dot over the "i" closed "b" and . Larrivee Serial Numbers (approximate). Description: Internally constructed from dense EPS foam, the exterior of this Gator banjo case is covered in rugged 600-denier ballistic . better-grade offerings frequently had notched, rather than grooved stretcher Pickguards between 1909 and 1921 +/- show a stamped patent date of Mar. The fingerboard typically has inlays made of silver or steel. . Gold-plated tuning gears, LOTS of abalone inlay. A: One of the easiest ways to determine the age of your banjo is to inspect the serial number, if it has one. These appear to have a unique serial number scheme. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). You have your choice of 3 different peghead shapes. The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. In the early years, due to the depression and the following wartime austerity, demand for this expensive instrument was limited and production quantities were small. The ones up until 1924 had either at best a ball bearing tone ring -- spring loaded ball bearings with springs to keep the skin heads tight. The headstock face was veneered in black. Though you were told there was only12 of this model made, it will not be any more valuable than if there 10,000 made. 1908 into 1916: Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. The 1975 price was $439. The soundhole size coincided with the overall size of the instrument. It was the heart of the depression and the instruments cost $60 without a case. It worked. If you continue, we will assume that you agree to, http://www.banjohangout.org/archive/276603, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023', 'Pisgah Banjo Company banjo raffle extended to March 10', 'Flinthill FHB-300 - Killer bluegrass banjo for the money! Martin Flat Top Guitar Body Sizes and Designations: The body size designation is stamped on the neck block starting in October 1930. Headstocks of US models also use the Gibson headstock shape. George Youngblood of Youngbloods Music Workshop. Higher grade models (such as the Super 400, L-5, J-200, etc.) The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. It was Gibsons most prestigious solid body (and therefore expensive, with a couple of exceptions). (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). Laminated maple back and sides is discontinued (FON batch 2828 used maple back and sides). It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. S3R, Size 3 guitar with East Indian rosewood back & sides, chrome tuners. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. This is a high-quality instrument. This is a high-quality instrument. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. If the fretboard was bound, they generally added a stripe of black under the side binding. In 1947 a natural finish J-45 was finally offered and given the designation: J-50. CUSTOMER SERVICE. Sometimes (rarely) the labels are easy to read: the model and serial numbers hand-printed in ink and sometimes the information was written in pencil and is now barely legible. These appear to be the easiest to find and quite reasonable to buy. Design your own Huber Banjo. their better banjos is also distinctive, with a small additional bump on either and many were left unmarked. The designations were. Larger 2.25 wide by .140 laminated maple bridge plates replace 1 7/16 x .125 solid maple bridge plates, Change the body shape to square shoulder dreadnaughts, Injection molded .075 thick styrene pickguard replaces the older .025 thick celluloid pickguard, Plastic bolt-on bridge replaces the rosewood bridge, White pickguard with Gibson logo screwed down to the top. The banjo's fingerboard is where the magic happens. It was reintroduced in limited editions in 1991. It was bound on the top, back, sides and around the fretboard. The numbers are preceded by letters: A, B, C, or D which indicate the series. For example, the serial number 90237XXX corresponds to a production date of 1/23/97. Gibson changed the name again in the 1950s to the SJ-200. 1923 into 1970: 1 piece mahogany necks. The pickguard was longer than earlier models and it had a moustache bridge (though slightly smaller and less ornate than that used on the SJ-200).

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